Stubbs Dingo Swallows Ponies
2020 watercolour and pencil on Arches paper 65 x 102cm / 93 x 120cm framed In this reimagined hybrid landscape, Glynn references 'Portrait of a Large Dog' (Dingo), commissioned by Sir Joseph Banks and painted from an inflated pelt by the acclaimed British painter, George Stubbs. An inaccurate Australian native fauna silhouette swallows a menagerie of loosely stylized ponies by Stubbs to create a romantic antipodean anomaly.
$9,000
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Finalist 2020 Fisher’s Ghost Art Award
Anna Glynn
Eurotipodes - Colonial Capsize
2022
Photomontage on 310gsm cotton rag
No. 1 in edition of 5 plus 2 artist’s proofs
38 x 50cm / 57 x 64cm framed
In ‘Eurotipodes - Colonial Capsize’ a semitransparent horse hangs upside down, merged with a kangaroo in a red colonial landscape. The diaphanous layered landscape reimagines colonial paintings from the Mitchell Library, referencing time, ecological and cultural change. Two iconic creatures are joined. In this work Glynn is reflecting on what is an ‘Australian’ landscape?
Anna Glynn
Evening Shadows, Backwater of the Murray, South Australia, 1880
Digital photomontage on archival cotton rag paper
No. 1 in edition of 7 plus 2 artist’s proofs
76 x 56cm
Anna Glynn
Extinction Game - Norfolk Island Kaka
2020
Pencil and watercolour on Stonehenge 250gsm paper
95 x 62cm unframed / 120 x 80cm framed
'Extinction Game - Norfolk Island Kaka’ reimagines a historical portrait of an extinct Norfolk Island Kaka, surviving in captivity until 1851. The parakeet perches, a losing player.
The black and white chess board expresses the ‘game’ of survival.