oil on linen on board 25 x 30 cm

ink, acrylic, soldering iron on board 120 x 120 cm

2023 Archival photomontage on cotton rag paper Edition of 7 plus 2 artist’s proofs 100 x 84cm / 103 x 87cm framed This work includes references to ‘Sydney Harbour Looking West’, 1848, by Jacob Janssen. From archives and public collections Glynn digitally captured colonial paintings, furniture, sculptures, flora and fauna. Combining these images with contemporary nature photography, Glynn creates multilayered imagery. A world of fantasia, a place on the cusp of reality and imagination.

mixed media on marine ply and Canson paper 120 x 85 cm

oil on board 160 x 192 cm

Made from two pieces of Malaysian Jelutong glued together on edge Sealed with clear polyurethane and coloured acrylics 43 x 31 x 5 cm

oil on board 56 x 45 cm

soft pastel 62.5 x 45 cm / framed 83 x 65.5 cm

soft pastel 43.5 x 31.5 cm - image size 64.5 x 52.5 cm - framed Rippled Reflections The surface of the river is always shifting, with reflections that move and change in mesmerizing patterns, catching the summer light of the Australian bush. The Potholes Reserve and Bargo River, Tahmoor, are places I often return to. This painting invites quiet reflection and a gentle moment of calm.

wood, acrylic paint and resin H: 110 cm L: 120 cm D: 12 cm The petals speak to softness, bloom and impermanence, the birds act as quiet witnesses, present, attentive (some not so much) and alert to subtle shifts in their surroundings. Through this arrangement, I explore balance and stillness, inviting the viewer to slow down and notice the quiet relationships between fragility and permanence, life and pause.

bronze 30 x 30 x 30 cm