Exhibitions
Chris Browne
In Between
oil on linen on board
41.5 x 27 cm
Michael Braden
Incoming
oil on linen
102 x 122 cm
Penelope Oates
Taking a Moment
ink, acrylic, soldering iron on board
100 cm (diameter)
Penelope Oates
Out Yonder, Cooma
ink, acrylic, soldering iron on board
82 cm diameter with frame
Anna Glynn
Eurotipodes Bucolic Wonderland
Archival photomontage on cotton rag paper
(edition 1 of 7)
100 x 84 cm (framed)
Noni Ruker
Perfect Glade
oil on birch panel
120 x 200 cm
Hadyn Wilson
New Possibilities
mixed media on marine ply and Canson paper
120 x 85 cm
Chris Browne
Three Stages of Uncertainty
oil on linen on board
25 x 30 cm
Sue Smalkowski
Twilight Skies
oil on canvas
60 x 60 cm
Anna Glynn
Eurotipodes Arriving – Take Your Medicine
archival photomontage on cotton rag paper (no. 1 in edition of 7)
100 x 43 cm
Michael Kelly
Bacchus in the North
oil on linen
92 x 71 cm
Paul Kay
Without Boundaries
Made from two pieces of Malaysian Jelutong from the same plank, glued together on edge
Sealed with clear polyurethane and coloured acrylics
64 x 46 x 7.6 cm
Natasha Junmanee
Moonlight Orchids
oil on board
56 x 45 cm
Noni Ruker
Bayside Afternoon
oil on cotton canvas
120 x 150 cm
Sharon Moroney
Sforzando
soft pastel
62.5 x 45 cm - image size
83 x 65.5 cm - framed
Shelley McLean
Unwavering
soft pastel
71 x 51 cm
92 x 72 cm framed
Angeline Goh
Collected Sightings I: Two Magpies
wood, clay, acrylic paint and resin
H: 85 cm W: 15 cm D: 14 cm
I paint birds as a way of paying attention. They sit at the edge of our daily lives, watching, waiting, adapting, often unnoticed yet deeply present. Drawn to nature and the quiet intelligence of birds, I’m interested in their gestures, groupings, and the unspoken relationships between them. Birds become stand-ins for memory, observation, and belonging, allowing me to explore stillness, connection, and the small rituals of the natural world.
Magpies, as I have been told, sing with such beauty; a quiet reminder that poetry lives all around us, if we simply pause to listen.