Marooned
2019 Moving image/video single channel MP4 No. 1 in edition of 7 07:00 minutes Created atop an extinct volcano in response to the Mt Kaputar Snail and Slug Threatened Ecological Community. Hyper-coloured vignettes pay homage to the most notable creature, a giant pink slug, the only element in the moving image work left in its natural colour. In 2019 massive bushfires roared across the mountain, decimating the habitat; great fears were held for the ecological community. However, during later rains numerous pink slugs were recorded.
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2019 MONA - the Museum of New Art, Estonia 2019 Matsalu Nature Film Festival 2020 Art of Threatened Species Western Plains Cultural Centre
Anna Glynn
Eurotipodes - Colonial Capsize
2022
Photomontage on 310gsm cotton rag
No. 1 in edition of 5 plus 2 artist’s proofs
38 x 50cm / 57 x 64cm framed
In ‘Eurotipodes - Colonial Capsize’ a semitransparent horse hangs upside down, merged with a kangaroo in a red colonial landscape. The diaphanous layered landscape reimagines colonial paintings from the Mitchell Library, referencing time, ecological and cultural change. Two iconic creatures are joined. In this work Glynn is reflecting on what is an ‘Australian’ landscape?
Anna Glynn
Evening Shadows, Backwater of the Murray, South Australia, 1880
Digital photomontage on archival cotton rag paper
No. 1 in edition of 7 plus 2 artist’s proofs
76 x 56cm
Anna Glynn
Eurotipodes Awaiting – Kangaroo & Sofa
2023
Archival photomontage on cotton rag paper
Edition of 7 plus 2 artist’s proofs
100 x 84cm / 103 x 87cm framed
This work includes references to ‘Sydney Harbour Looking West’, 1848, by Jacob Janssen.
From archives and public collections Glynn digitally captured colonial paintings, furniture, sculptures, flora and fauna. Combining these images with contemporary nature photography, Glynn creates multilayered imagery. A world of fantasia, a place on the cusp of reality and imagination.