Eurotipodes Excerpt 1
2018 Photomontage on 310gsm cotton rag No. 1 in edition of 7 64 x 100 cm / 66 x 102 cm framed Glynn’s Eurotipodes includes upended imagery from the sketchbook of British landscape artist John Glover. Eurotipodes is a word that Glynn created in response to the European idea of Australia being ‘down under’ in the antipodes.
$4,800
Enquire about this artwork
Finalist Omnia Art Prize 2022
Anna Glynn
Eurotipodes - Colonial Capsize
2022
Photomontage on 310gsm cotton rag
No. 1 in edition of 5 plus 2 artist’s proofs
38 x 50cm / 57 x 64cm framed
In ‘Eurotipodes - Colonial Capsize’ a semitransparent horse hangs upside down, merged with a kangaroo in a red colonial landscape. The diaphanous layered landscape reimagines colonial paintings from the Mitchell Library, referencing time, ecological and cultural change. Two iconic creatures are joined. In this work Glynn is reflecting on what is an ‘Australian’ landscape?
Anna Glynn
Evening Shadows, Backwater of the Murray, South Australia, 1880
Digital photomontage on archival cotton rag paper
No. 1 in edition of 7 plus 2 artist’s proofs
76 x 56cm
Anna Glynn
Eurotipodes Awaiting – Kangaroo & Sofa
2023
Archival photomontage on cotton rag paper
Edition of 7 plus 2 artist’s proofs
100 x 84cm / 103 x 87cm framed
This work includes references to ‘Sydney Harbour Looking West’, 1848, by Jacob Janssen.
From archives and public collections Glynn digitally captured colonial paintings, furniture, sculptures, flora and fauna. Combining these images with contemporary nature photography, Glynn creates multilayered imagery. A world of fantasia, a place on the cusp of reality and imagination.