Eurotipodes - Colonial Capsize
2022 Photomontage on 310gsm cotton rag No. 1 in edition of 5 plus 2 artist’s proofs 38 x 50cm / 57 x 64cm framed In ‘Eurotipodes - Colonial Capsize’ a semitransparent horse hangs upside down, merged with a kangaroo in a red colonial landscape. The diaphanous layered landscape reimagines colonial paintings from the Mitchell Library, referencing time, ecological and cultural change. Two iconic creatures are joined. In this work Glynn is reflecting on what is an ‘Australian’ landscape?
$4,500
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Finalist 2022 Heysen Prize for Landscape Finalist 2023 Ravenswood Australian Women’s Art Prize
Anna Glynn
Native Dog Swallows Julia Johnstone
2020
watercolour and pencil on Arches paper
65 x 102cm / 88 x 122cm framed
Finalist 2021 Adelaide Perry Prize for Drawing
Anna Glynn
Stubbs Dingo Swallows Ponies
2020
watercolour and pencil on Arches paper
65 x 102cm / 93 x 120cm framed
In this reimagined hybrid landscape, Glynn references 'Portrait of a Large Dog' (Dingo), commissioned by Sir Joseph Banks and painted from an inflated pelt by the acclaimed British painter, George Stubbs.
An inaccurate Australian native fauna silhouette swallows a menagerie of loosely stylized ponies by Stubbs to create a romantic antipodean anomaly.
Anna Glynn
Antipodean Wonderland Tableaux Stubbs Dingo
2017
Ink, watercolour & pencil on Arches paper
51 x 66 cm / 75 x 87 cm framed
A fantastical reimagining referencing George Stubbs Dingo Kongouro from New Holland (1768–71)
Joseph Banks sent a dingo pelt to London from the colonies and commissioned Stubbs to paint this new creature. Stubbs apparently had the skin sewn together and inflated it as his reference for the final painting.